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Docking Station (S8_4M)

Faux Fur, Stainless Steel, Cables, Aluminium, Polyethylene, PVC, PLA-CF, Polyester, Steel Hardware, Servo Motors, Choreography (16 minutes)

200 x 200 x 60 cm 

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2024​​

Docking Station suspends artificial tails in an in-between state: severed yet plugged in, detached yet made to perform. Their choreography moves through fragile expressions with programmed precision.

The practice of severing a dog’s tail, historically known as "docking", reveals the complex relationship between companionship, service, and obedience within the human-canine bond.

Once justified as a functional procedure meant to protect working dogs from injury, and still performed in some breeds for aesthetic preference, tail docking removes one of the animal’s primary limbs of expression, marking the creature as a tool of labor rather than a companion.

Installation views from MOLT

Group Show with:

Vivien Hoffmann

Ju Young Kim

Shinoh Nam

Johannes Thiel

Lena-Elise Aicher

Cyrill Lachauer

Clemens Von Wedemeyer

Melanie Manchot

Bill Viola

Curated by Madelen Isa Lindgren, Elena Francalanci, Max Michel Thillaye, Virginia Valeri
Andrea Bambini

Berlin, Germany

July 2024

Steel structure welded by and designed with Manuel Goetz

Brad
Nath
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