Docking Station (S8_4M)
Faux Fur, Stainless Steel, Cables, Aluminium, Polyethylene, PVC, PLA-CF, Polyester, Steel Hardware, Servo Motors, Choreography (16 minutes)
200 x 200 x 60 cm
2024
Docking Station suspends artificial tails in an in-between state: severed yet plugged in, detached yet made to perform. Their choreography moves through fragile expressions with programmed precision.
The practice of severing a dog’s tail, historically known as "docking", reveals the complex relationship between companionship, service, and obedience within the human-canine bond.
Once justified as a functional procedure meant to protect working dogs from injury, and still performed in some breeds for aesthetic preference, tail docking removes one of the animal’s primary limbs of expression, marking the creature as a tool of labor rather than a companion.

Installation views from MOLT
Group Show with:
Vivien Hoffmann
Ju Young Kim
Shinoh Nam
Johannes Thiel
Lena-Elise Aicher
Cyrill Lachauer
Clemens Von Wedemeyer
Melanie Manchot
Bill Viola
Curated by Madelen Isa Lindgren, Elena Francalanci, Max Michel Thillaye, Virginia Valeri
Andrea Bambini
Berlin, Germany
July 2024
Steel structure welded by and designed with Manuel Goetz




