Brad Nath (b. 1995, New York, he/they) investigates the body as a site of hybridity through historical, contemporary, and speculative frameworks.
The research uses the human–canine bond to engage with the field of robotics, exposing the underlying relations between humans, animals, and technological beings.
By using techniques that blur biological and synthetic distinction, the works examine how technopolitical systems materialize in the bodies that humans design, train, and co-evolve with.
The works often involve producing articulated robotic armatures and artificial fursuits to conceal them—the hybrid beings that emerge offer unresolved encounters of embodiment and uncertain terms of companionship.
The practice offers a lens to engage with the fears and fantasies that underly the context of increasing technological dominance.
Education:
Master of Arts in Solo/Dance/Authorship (MA SODA), Universität der Künste, HZT | Berlin, Germany, 2020–2022
Bachelor of Architecture, Cornell University | New York, USA, 2013–2018
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Press:
↪ Synchron Mag: Issue 3 (2025)
↪ ofluxo (2025)
↪ IRL Gallery (2024)
↪ CLOT Magazine (2019)